Showing posts with label Tih Minh (1919). Show all posts
Showing posts with label Tih Minh (1919). Show all posts

Wednesday, 6 November 2024

Watching the detectives… Louis Feuillade: The Complete Crime Serials (1913-1918), Blu-ray

 

Louis Feuillade not only popularised the dramatic serial as we still know it, he did so during a period when his country was at war with the majority of these four epic series made during the Great War either in and around Paris or in the relative safety of Nice. In truth the form had many parents across the cine-world with America providing The Perils of Pauline starting in 1914 and Edison's – or someone’s - What Happened to Mary in 1912 then Germany, Viggo Larsen's Arsène Lupin contra Sherlock Holmes in 1910 and even earlier, in 1908, the French with Victorin-Hippolyte Jasset launching his series of six Nick Carter films: le roi des detectives! Carter le roi? Je ne pense pas, messieurs... cet homme vit à Baker Street!


Anyway, using the same techniques as these great and not so great detectives, Feuillade evolved the cinematic style across four series, Fantômas, Les Vampires, Judex and Tih Minh all of which left their mark and established motifs that have been used ever since. Some have been available on Blu-ray overseas but for the first time in the UK Eureka’s Masters of Cinema series has now pulled all together in one luxurious and absolutely essential box set celebrating the birth of the box set in many ways!


The films have all been transferred from 4K restorations from original 35mm nitrate originals where possible and the results create such an immediacy and connection with the material, it almost feels like you’re clambering on a roof top with Irma Vep, with the distant sounds of German guns only 70 kilometres away at one point, with the First Battle of the Marne, in September 1914.


 

René Navarre in disguise as Fantômas, the master criminal!


Fantômas (1913)


Adapted from a series of popular novels by Marcel Allain and Pierre Souvestre, Fantômas stars René Navarre as the eponymous criminal mastermind. Across the serial’s five episodes, Fantômas is pursued by Inspector Juve (Edmund Breon) and newspaper reporter Jérôme Fandor (Georges Melchior) as he carries out his nefarious schemes. As Kim Newman says in his video essay on the set, Fantômas is a supervillain, a “fusion of Professor Moriarty and Sherlock Holmes…” He’s certainly a master of disguise with each episode opening with Navarre in the disguise he will use in each story and, as Newman observes, we never really find out exactly who he us. He’s a universal and uncatchable master villain.


Each episode features Detective against Villain… and cliff-hangers are the order of the day. Fantômas is relentless and Juve is always one step behind. The serial was hugely successful and spawned many impersonators in print and on screen with both the public and, Newman again, the intellectuals, the surrealists attracted by the anarchy and the anti-establishment agenda.

 


Feuillade filmed so often on location, here at Avenue Junot...



Les Vampires (1915-1916)

 

Most people’s first introduction to Feuillade and probably the best and most entertaining of this set, the ten-episode Les Vampires tells of a group of vicious criminals who terrorise Paris, stopping at nothing to gain money and to disrupt the powers that be. They are led by the Grand Vampire (Jean Aymé) who adopts different guises and disguises in most episodes and his key operative (possibly even superior?) is the anagrammatical Irma Vep, played with such vibrant menace by Musidora (the rightfully legendary Jeanne Roques*), who helps to infiltrate elegant society, financial institutions and even the hero’s household for the Vampire cause. She is, as Newman says, the first female super villain, years ahead of Cat Woman and in every way transgressive – a challenge to audience and mankind from her first appearance on stage rousing the gathered gang members.

 

The hero in pursut is not a policeman but an intrepid reporter – one of the first of his kind - Philippe Guérande (Édouard Mathé) who is mostly helped (occasionally hindered) by the comic Mazamette, knowingly played by the fourth wall busting Marcel Lévesque who moves from working with the criminals – his family being under threat. It’s not the first example of characters’ mutability in the free-running serial that sees an ever-changing battle between the forces of order and disorder.

 

Les Vampires also had to contend with costumes of silk and wool with elasticated fabric still scarce...


As film scholar Elizabeth Ezra says in her video essay, the serial included a number of references to the ongoing conflict beyond with code breaking, gas attacks and other weapons of war such as the canon in episode seven and the exploding ship in episode eight all to redolent of events so close and yet, cinematically, so far. So many men were mobilised too and the original Vampire leader had to be called off, after the actor playing him, Louis Leubas, was called up.

 

Another fascinating observation from Ezra relates to the multiple personalities each character potentially presents, with this being an extension of paranoid delusion, Capgras Syndrome patients traumatised by the loss of loved ones belived that those around them had been killed and replaced by imposters in their bodies. Les Vampires is therefore full of people who are not quite as they seem, and there is frequent reference to loss, the serial may not specifically mention the conflict but it’s “haunted by the war” in Ezra’s words.

 

René Cresté, Édouard Mathé and Louis Leubas in Judex; secret lair


Judex (1916-17)

 

Judex is probably the first Masked Avenger – essentially a good version of Fantomas/Musidora possibly after an official reaction to the criminality of the first two serials. At this year’s Il Cinema Ritrovato Festival in Bologna, I was able to watch the screening of the entire series – 12 episodes plus prologue - with live accompaniment which really brought out the full flavour of Feuillade’s sense of drama, his eye for dynamic framing, and his team building and his ability to keep the narrative ball rolling even when you think he’s backed himself into a dramatic dead end.

 

It's not quite up there with Les Vampires but it does have the essentiality of Musidora playing Diana Monti aka Marie Verdier, a scheming opportunist who becomes more and more dominant the longer the story unwinds. Judex himself as played by René Cresté, is a goodie version of Fantômas, part Sherlock Holmes, maybe part Eugène-François Vidocq – an actual French criminal turned criminalist - certainly an outlier for The Shadow, Doc Savage and even The Batman. Feuillade had been criticised for glorifying his evil masterminds and so here was one of good intent even if he does kidnap and fake the death of the businessman responsible for his father’s death and many others, Favraux (Louis Leubas) before imprisoning him for life in a remote castle.

 

Judex has worked a very long game, disguised as Favraux’s secretary, to infiltrate his business dealings. His plan is soon complicated when he falls in love with the banker’s daughter, Jacqueline (Yvette Andréyor) who is soon targeted by the evil Monti! There’s great support from Vampires’ alumni Édouard Mathé as brother Roger and Marcel Lévesque as the comedic Cocantin whose swimming-costume clad fiancée Miss Daisy Torp (Lily Deligny) helps save the day. The kids are alright too and Le petit Jean (Olinda Mano) and The Liquorice Kid (Rene Poyen) deserved their own series!


René Cresté and Mary Harald
 

Tih Minh (1918)


Tih Minh is a change of pace - and technically the most polished - with a new cast of characters and a number of Feuillade’s regular cast playing them again. Set in the South of France the focus is on the goodies again with explorer Jacques d'Athys (René Cresté) who has returned from the Orient with a new fiancé from Laos, Tih Minh (Mary Harald) – a half Vietnamese heroine, interesting in itself - to be greeted by his mother (Madame Lacroix), sister Jane (Lugane) and maid Rosette (Jeanne Rollette) who is romancing his faithful, cheeky, manservant Placido (Georges Biscot).

 

The baddies are the mysteriously bearded “Asian” Kistna (Louis Leubas), Doctor Gilson (Gaston Michel) and the La marquise Dolorès (Georgette Faraboni) who has the real dash of stylish super-vixen, biting a rose with menace in the introductory segment. What they’re about is disrupting the old order… undermining the British Empire and controlling minds with chemical concoctions. They also hold a cellarful of chemically controlled young women… for what purpose we can only guess but there is some nudity revealed at this point… and, whilst you’d never see that in a British or American film at this point, it is a reminder that down the same avenue as entertainment is the darkened rue latérale of exploitation.

 

This serial looks stunning and it’s rare to see such detail and to feel the century melt away as you watch the performers inhabit their roles and the familiar spaces of Nice, with such clarity. The Palais de la Jetée and the beautiful Crystal Casino may be long gone but this is very much a travelogue for the jewel of the Riviera, magnificent views, glorious mansions and the warm breeze of a Mediterranean mistral running through the relentless, narrative parkour, pace of the storyline.

 

Without doubt as film historian and author David Kalat says in his commentary, Feuillade’s crime serials had a huge impact on Fritz Lang who responded with Dr Mabuse, Spies and much more not to mention Alfred Hitchcock and everyone that came after. The influence spread also to pulp magazines – The Shadow – as well as comic books, radio, television and one of the most successful Caped Crusaders also known as Bruce Wayne.

 

Musidora in command, hands on hips, sleeves rolled up...


Join me in investigating these suspiciously special features…

 

·         Limited Edition Hardcase Box Set [2000 copies]

·         Set includes all four serials across 9 Blu-ray Discs, all presented in 1080p HD from stunning 4K restorations courtesy of Gaumont Film Company, with uncompressed LPCM 2.0 audio on all serials

·         Fantômas – audio commentaries on In the Shadow of the Guillotine and Juve vs Fantômas by film historian and author David Kalat

·         Les Vampires – new audio commentaries on The Red Cipher and The Spectre by film historian and author David Kalat

·         Judex – new audio commentaries on the prologue, The Mysterious Shadow, Atonement, The Water Sprite and The Forgiveness of Love by genre film expert and Video Watchdog founder Tim Lucas

·         Tih-Minh – Brand new audio commentaries on The Potion of Forgetfulness, The Mysteries of Circé Villa and Justice by genre film expert and Video Watchdog founder Tim Lucas

·         Casting a Long Shadow –  new interview with critic and author Kim Newman

·         Pamela Hutchinson on Musidora –  new interview with critic, film historian and silent cinema expert Pamela Hutchinson on the star of Les Vampires and Judex

·         The Spectre of War in Les Vampires –  new video essay by film scholar Elizabeth Ezra, editor of European Cinema and France in Focus: Film and National Identity

·         Feuillade in Context – a new interview with writer, composer and silent film accompanist Neil Brand

·         A Closer Look at Feuillade – Brand new interview with critic, writer and film commentator Tony Rayns

·         Fold-out poster – yay!!

·         A limited edition 100-page collector’s book featuring new writing by Louis Feuillade experts Jonathan Rosenbaum, Calum Baker, Annette Förster, Wendy Haslem, Robin Walz and Leon Hunt on the filmmaker and his crime serials alongside select archival imagery

 

The set is released on 11th November and can be ordered direct from Eureka, not home should be without it. As Neil Brand says in his video essay on the director, not only are these lengthy series with their lose plotting – “one damn thing after another” – enthralling and still engaging, they’re also a social document of the Third French Republic, the war years and the development of one of the most enduring genres in cinema. Where would The Avengers be without HYDRA or James Bond without SPECTRE? And just where would Netflix, Apple TV and everyone else be without crime and punishment? Where would any of us be? This is one to binge and relish. But you know that already.

 

*For more information on Musidora visit the Womens Film Pioneers Project pages and follow on from there. Pamela Hutchinson’s video essay on this Eureka set is also thoroughly recommended!





Sunday, 30 January 2022

That Riviera touch… Tih Minh (1919), Gaumont Blu-ray


All good things come to those who wait (mostly) and I’ve often hoped to see Louis Feuillade’s magnificent fifth serial film (after Fantômas in 1913-1914, Les Vampires in 1915-1916, Judex in 1916 and La Nouvelle mission de Judex in 1917) in better quality than the fuzzy version on YouTube which looks like it was copied from VHS by a camcorder 400 metres across the road in fading light and with a failing battery… miracles so happen and this new disc is A Thing of Utter Beauty!

 

This is a dazzling 4k transfer from the 2019 restoration by L'immagine Ritrovata, of the 35mm nitrate negative from the Cinémathèque française film archive, completed with a reversal duplicate held by Centre National du Cinéma, and it looks absolutely like it was filmed yesterday. It’s rare to see such detail and to feel the century melt away as you watch the performers inhabit their roles and the familiar spaces of Nice, with such clarity. The Palais de la Jetée and the beautiful Crystal casino may be long gone but this is very much a travelogue for the jewel of the Riviera, magnificent views, glorious mansions and the warm breeze of a Mediterranean mistral running through the relentless, if gentile, pace of the storyline.

 

Scoring for six hours and 24 minutes is a challenge but Julien Boury has produced a tour du force of melodic invention which playfully drives alongside the narrative with strong major themes for story and character. Boury knows his film scoring and there are some gorgeous lines on harp and flute for our lovely heroine, and then a nod towards John Barry dynamics for the arrival of the British diplomat in episode five. It plays out at just the right pace – this is a marathon and not a sprint after all – and retains interest in its subject with sincerity, economy and an instinctive musicality. The score is played out with a chamber group consisting of piano, string and wind instruments with the odd found sound used sparingly and always to good effect. I wish I knew more but bravo Julien!


Mary Harald

Tih Minh is, for me, an advance on Feuillade’s previous epics with rich characters and tighter plotting that relies less on improvisation than say Les Vampires. The cast of characters as introduced, mostly, in Episode One: The Potion of Forgetfulness are well realised and fleshed out more too, not just black and white baddies… well, black, grey and white… with beards and definitive motives. Before that we have a Prologue as explorer Jacques d'Athys (René Cresté) returns from the Orient with a new fiancé from Laos, Tih Minh (Mary Harald) to be greeted by his mother (Madame Lacroix), sister Jane (Lugane) and maid Rosette (Jeanne Rollette) who is romancing his faithful, cheeky, manservant Placido (Georges Biscot).

 

Very little is known about Mary Harald who it seems was a British subject born in Hong Kong and who only acted in French films as far as the internet can tell. Possibly she was mixed race, it’s hard to tell, but that could account for her only acting in France but… that’s pure speculation. Whatever, she is very good indeed, telling many a story with restrained yet emotionally fulsome expressiveness whether under the influence of enemy pharmaceuticals or delighting in her new world and new family. She, as the title suggests, is the star and the story is all about the post-war Empire and Britain’s enduring challenge from Germany but also communism and just plain old bad guys with graduated tints of evil.


The Doc, Dolorès and Kistna up to no good

These baddies are… the mysteriously bearded “Asian” Kistna (Louis Leubas), Doctor Gilson (Gaston Michel) and the La marquise Dolorès (Georgette Faraboni) who has the real dash of stylish super-vixen, biting a rose with menace in the introductory segment. What they’re about is disrupting the old order… undermining the British Empire and controlling minds with chemical concoctions. They also hold a cellarful of chemically controlled young women… for what purpose we can only guess but there is some nudity revealed at this point… and, whilst you’d never see that in a British or American film at this point, it is a reminder that down the same avenue as entertainment is the darkened rue latérale of exploitation.

 

Jacques d'Athys is soon called away on another expedition and long months pass before the start of the first episode proper. The action begins in Monte Carlo Casino where Lord Stone is breaking the bank with a sea of great faces set by Feuillade as the backdrop for his triumphs. As with so many subsequent scenes down the years, the winner is soon turned loser by unscrupulous hands; the game is rigged with Kistna and Gilson soon to relieve him of his winnings. Stone is found unconscious on the Nice promenade minus his money and his memory in what proves to be just the latest such case in a summer which has also seen a number of young women disappear.

 

Mary Harald, René Cresté and Lugane

At the Villa Circe Kistna and Gilson read the reports of their misdeeds with interest and note the impending marriage of the returning Athys to his “charming Annamite” Tih-Minh. They also have a letter from someone called Rao, head servant of the Great Lord Ourvasi, in London advising them that the explorer has brought back a book, the Nadolaya, on his latest travels and this has more importance than he realises… The book had been stolen from Ourvasi who had written the location of a great treasure in the front of the book in an ancient text and, worse than that, in pencil. When Kistna does pay a visit and ask to borrow the document a surprisingly proactive Placido decides to erase the scribblings with a rubber before handing it to his master’s guest. Thus begins the protracted push and pull between the two sides… with twists and turns far too many to mention.

 

There are kidnappings and re-kidnappings, brainwashings and druggings, as science detection wends its steady way through the series. It feels so much like the precursor of the adventure series of the 1960s, like the Avengers (no, not the ones with capes, although Diana Rigg worse one occasionally), The Saint and 007… In episode two, Two Dramatic Events During the Night, Dolorès uses telepathy to help Doctor Gilson cheat at cards whilst trying to drug Athys with a poisoned pendant. All mod cons for modern spies!

 

Georges Biscot plays loveable manservant Placido

This is also about intelligence though, and the badguys always seem to end up on step ahead of the good. Les Vampires’ star Édouard Mathé turns up as Sir Francis Grey, the aforementioned British “diplomat” who is the only one who can decipher the script which, luckily, Athys has photographed. He arrives in time to be picked up by Kistna’s henchmen who end up getting him committed to a mental asylum, Feuillade and co-writer Georges Faure have no shortage of ideas. Grey is highlighted in episode five, At the Asylum and Placido in episode four, The Man in the Case and the focus is on a more structured, novelesque, approach to the serial.

 

Tih-Minh delivers shakes and stirs, and it really is all thriller, no filler with quality maintained throughout with a tip of the hat to the cinematography of Léon Klausse which contributes so much to this gorgeous confection.

 

I ordered my copy from Amazon France and it arrived within a few days, there’s also a Blu-ray of Judex and many others all with sous-titres Anglais… how can you resist? They have ways of making you forget your bank balance…


Nice promenade as was with the pier and Crystal Casino on the top right!

Édouard Mathé

Jeanne Rollette