Only my silent friend in the corner declined to take
part in the merrymaking… The bludgeon-like wit of the house very carefully
passed him by. For he was so plainly a desperate man.
The Blood Ship is based on the 1922 novel of the
same name by Norman Springer and is very much tailor-made for a Hobart Bosworth
blood bath. The star of the ferocious Behind the Door had earned his sea
legs at a young age after apparently running away from home at 12 then working
as a cabin boy on a sea clipper for three years before work on an artic whaler.
The son of a Civil War naval captain, he clearly heard the call of the sea but
he became involved in theatre aged 18 when invited to work as a stage manager
helping to produce backdrops, work he hoped would enable him to study art.
Quite the shift for a man who, in Norman Springer’s words, looked like the sort
of “hard case” you would find working the toughest seas.
Bosworth began to act, funded by the odd stint in coal
mining, and just as he was establishing himself in New York he was stricken
with tuberculosis which not only weakened him but also affected his voice.
Unable to project on stage he found new opportunities with silent film in the
1900s and also the ability to live in warmer climates. He credited the industry
with saving his life and became one of the period’s most forceful performers
who was also producer, script writer and director. A man of many talents.
The Blood Ship was one some two dozen nautical films
he made and it gives him full rein to bring his weather worn features and
remarkable sensitivity to the role of a man robbed of life and liberty who is
seeking revenge for more than he knows… and he ramps up the righteous anger
with emphatic force as the full extent of his betrayal is revealed. The film
has recently been restored following the discovery in 2007 of its long-lost
final reel and it looks almost freshly minted in the new Sony Blu-ray which
comes with a new score from the redoubtable Donald Sosin.
Directed by George B. Seitz it concerns The Golden
Bough, a trading ship run by the brutal Captain Angus “Black Yankee” Swope
(Walter James) a man who in the late 1880s was “cursed from Liverpool to
Singapore as the cruellest master that sailed the Seven Seas…”. We find him
ordering the lashing of a would-be mutineer aided by his equally unforgiving
First Mate, Fitz (Fred Kohler who would play so many henchmen – he had a face
for cruelty). The other crew seethe silently and only the Captain’s daughter
Mary (Jacqueline Logan) tries to help the poor man.
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Walter James |
“They cleaned me - a year’s pay - the Swede and his
wimmin!”
Swope is a cynical abuser and he knows that treating his
crew mean will keep them in line and that they’ll escape the first chance they
get without his having to pay them and as the ship’s hull touches the dock
they’re all off. Meanwhile at Knitting Swede’s Lodging and Beds, more services
are being supplied than advertised as one sailor is ejected after getting
caught up in the titular Swede’s web of gambling, sex work and booze.
James Bradbury Sr. plays the Swede who does actually sit
at his bar and knit in a surprise development although the knitted hat he wears
doesn’t speak to any great advancement in wool craft. He sist and smile eyeing
his clientele up and assessing all with a smile including the Reverend Richard
Deaken (Chappell Dossett) who steps over the threshold to remonstrate about the
effect of his wicked ways. After his rebuttal, the Swede says to his bouncer (Syd
Crossley) that perhaps the preacher could do with a sea voyage…
John Shreve’s my name – able seaman – and I don’t
think I like you or your runner!
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Richard Arlen and Hobart Bosworth |
A young man smirks at the bar and introduces himself as John
Shreve (Richard Arlen) to the Swede and his man, expressing his distaste for
the racket they are unquestionably running and going off to sit next to a moody
man fulling his pipe in the corner of the room. The Swede sends one of his
girls to distract John who then gets in a fight with the bouncer and, having
trounced him is saved by the moody man who turns out to be Jim Newman (Hobart
Bosworth). Both men volunteer for Swope’s ship though, John because he wants to
protect Mary and the latter for reasons all of his own.
Soon they’re taken on board with many who most definitely
did not volunteer including the Reverend, who thinks this must be some kind of
mistake and couldn’t they drop him back on shore, and the cockney bouncer now
surplus to the Swede’s requirements having lost his barroom brawl and his
reputation. Jim avoids Swope’s attentions whilst the rest of the men soon learn
that his reputation is entirely founded in reality.
Soon Jim confronts Swope and we learn the shocking secret
of their relationship whilst a young cabin boy is almost kicked to death by
Swope and the tensions mount… This being a Hobart Bosworth production you just
know there will be a hate-filled battle at the end of the film and few actors
could match his convincing ferocity and righteous indignation. There is good
support from Arlen and all including Blue Washington who is gifted with a
dramatic role that doesn’t entirely rely on the usual racial stereotypes of
this era – there were always creators who looked to progress and not
perpetuate. Call them “woke” perhaps…?
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Jacqueline Logan |
It's a tense and
visceral ride and as the novelist, mage and former comic-book author Alan
Moore once remarked, superheroes are essentially revenge fantasies for the impotent,
and you can say the same for film stars in stories like this.
Talking of which, there is now a new Blu-ray combining
Irvin Willat’s Bosworth adventures, Behind the Door (1919) and Below the
Surface (1920) from Flicker Alley, both restored by the San Francisco Silent
Film Festival and with new scores from Stephen Horne. Personally, I can never
get enough Hobart and Horne and have already snapped this one up, you can order direct from Flicker Alley for the further adventures of Bosworth on Boats!
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