This was my first visit to the recently-refurbished “birthplace of British cinema” (the Lumier Brothers projected here in 1896…eighteen-ninety-six!) and I can report that not only is the venue drenched in Victorian architectural atmospherics but the seats are really most comfortable… This suggests that one of the most important aspects of film watching may have been gotten right from the get go and anyone who has watched Spectre from a cheaply cushioned multiplex would know how wrong things have gone.
The
Regent Street seats were suitably luxuriant for one of the most opulent films
of the silent era: Prapancha Pash (A
Throw of Dice) which was playing as part of the cinema’s Indian Season
which links to the V&A’s Fabric of India exhibition.
The
film was directed by Franz Osten as part of an unique cultural collaboration
between India and Germany initiated by British-educated Indian solicitor
Himansu Rai, who came to Europe in search of partners for a series of films on
world religions. A Throw of Dice was
the third in the series in which German crew worked with Indian performers and,
as importantly, funding.
The
story was based on a story by Niranjan Pal with adapted an episode from the
Indian epic The Mahabharata. It is
very much a fantasy involving kings battling for the love of a beautiful
princess and their kingdoms: there’s a cast of thousands, gorgeous clothing and
scenery, snakes, elephants and a lot of cheaters…
The kings tumble the dice |
The
two kings are Sohan (Himansu Rai) and Ranjit (Charu Roy) – the former quicksilver
slick with a fleshy smile betrayed by his eyes and the later slim and dashing with
an unguarded expressiveness that marks him out as a potential patsy when the
cheat tries to prosper.
Sohan
has invited Ranjit out hunting and instructs his shifty henchman Kirkbar (Modhu
Bose) to shoot his regal pal in the back in the confusion of a tiger hunt. Things
look bleak for the pierced prince but his aide (Lala Bijoykishen) knows of a
healer nearby who might just be able to save Ranjit’s life.
The
healer is a hermit (Sarada Gupta) who has left the devious ways of mainstream
society to bring up his beautiful daughter Sunita (Seeta Devi) in peaceful honesty. The
royal party arrives and the King recuperates…
Sohan’s
plans are made a mess but he’s nothing if not resourceful and, indeed,
observant, as he takes an instant liking to Sunita. Class will out though and
Ranjit falls for the woman who nursed him to health and she likewise
reciprocates recognising a good guy when she heals one.
Himansu Rai, Sarada Gupta and Charu Roy |
The
two skip off to Ranjit’s palace leaving her father to carry on with his
solitude but Sohan has other ideas and despatches Kirkbar is stab him with
Ranjit’s stolen knife and thereby put him in the frame.
Clearly
the couple’s relationship is going to be put through some testing times… but
the whole enterprise is so well made: the pacing is sharp and Emil Schünemann’s
cinematography is top class whether in catching the extraordinary light and
landscape or the close interaction between the characters.
Ranjit’s palace |
The
two kings have already shown their weakness for what the modern American might
call “craps” and so it is, as the story winds up that they play for their
kingdoms, their freedom and the woman! One of them plays with loaded dice… can
you guess which one?
Will
Love conquer dishonesty and will there be a huge set piece ending involving
thousands of extras, a big battle and a thrilling chase? You bet there is!
Thousands! |
A Throw of Dice is a lovely film to
watch not just for the fabrics which, even in monotone, are amazing but also because
of a light and very sure touch throughout. The leads are all terrific with Himansu
Rai clearly delighting in every devious ploy – he doesn’t over-play though and
overall the acting is naturally knowing.
Seeta
Devi is similarly nuanced and has one of those timeless faces that would look
good in any film from any period: a neo-Bollywood Brooks no less! It’s a
massive over-statement but you do get the feeling that cinema was going to suit
India just fine – fitting in with a style of storytelling and a hugely rich
cultural heritage that simply couldn’t be equalled by imports.Seeta Devi hiding |
The
film was accompanied by Nitin Sawhney’s orchestrated score written for the 2006
restoration. It has some lovely themes but is sometimes a little over-bearing
with some out of place vocalising which I always find a little odd for films
without dialogue: no words are needed. That said, sat in this wonderful hall,
this cosy comfort… I was transported far away from London’s crushing umbra to palaces
of pure sparkle.
The
film is readily available on BFI DVD either direct or from Movie Mail.
I have owned the DVD for about a year and still not watched it! This lovely review is a good reminder for me to fix that. Thanks :)
ReplyDeleteIt's good fun and so well made - I'd like to watch Franz Osten's two earlier Indian films now.
DeleteThanks for reading!
Paul